French
painter, noted for his pastoral and mythological scenes, whose
work embodies the frivolity and sensuousness of the rococo style.
Boucher, the son of a designer of lace, was born in Paris. He studied
with the painter François Le Moyne but was most influenced by
the
delicate style of his contemporary Antoine Watteau. In 1723 Boucher won
the Prix de Rome; he studied in Rome from 1727 to 1731. After his
return to France, he created hundreds of paintings, decorative boudoir
panels, tapestry designs, theater designs, and book illustrations. He
became a faculty member of the Royal Academy in 1734. He designed for
the Beauvais tapestry works and in 1755 became director of the Gobelins
tapestries. In 1765 he was made first painter to the king, director of
the Royal Academy, and designer for the Royal Porcelain Works. His
success was encouraged by his patron, Marquise de Pompadour, mistress
to Louis XV. He painted her portrait several times.
Boucher's delicate, lighthearted depictions of classical divinities and
well-dressed French shepherdesses delighted the public, who considered
him the most fashionable painter of his day. Examples of his work are
the paintings Triumph of Venus (1740, Nationalmuseum, Stockholm) and
Nude Lying on a Sofa (1752, Alte Pinakothek, Munich) and the tapestry
series Loves of the Gods (1744). Boucher's sentimental, facile style
was too widely imitated and fell out of favor during the rise of
neoclassicism. He died in Paris on May 30, 1770. |
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